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This week on Maximum Rock N Roll on LUVeR!

Airs January 14, 2010 at 4pm pacific on http://www.luver.com

MAXIMUM ROCK N ROLL
tape #89
59 minutes
hosts: Tim, Jeff & Ruth
Guest: Buck from The Dicks, Spike from D.R.I. (Dirty Rotten Imbeciles),
David from MBC & Mitch from Government Issue

Side one
1. 1-2-3-4 A tape made by Bill Brown at Rough Trade

from Sweden:
2. “Bleep” Lickers
3. The TroubleMakers
4. Penasana
5. KSMB

from England:
6. The Milkshakes “Shimmy Shimmy”
7. Shockabilly “19th Nervous Breakdown
8. Megatrible
9. Lost Cherise
10. Kaos UK “Parental Love”

from California:
11. Sacred Lies “Sound the Siren”
12. M.I.A. “Missing or Captured”
13. Ill Will “The Ill Will Theme Song”
14. D.I. “Regan Der Fuhrer”
15. Modern Industry “Out of Focus”
16. J.I.A. “America’s Got a Problem”

Side two
from Texas:
1. D.R.I. “Capitalist’s Suck”
2. D.R.I. “Misery Loves Company”
3. Guests: Buck from The Dicks, Spike from D.R.I. David from MBC
guests play:
4. Pissed Youth
5. Doomsday Massacre “Last Stay”
6. Marching Plague “Mom & Dad”
7. Dave sings live
8. D.R.I. “No Sense”

from the East Coast:
9. Flag of Democracy “Head Problem”
10. No Thanks “Poser”
11. The Wards “AFL CIO”
12. White Cross ” Suburbanite”
13. No Labels “Not for Me”
14. Adrenaline O.D. “Status Symbol”

15. Guest: Mitch from Government Issue
16. Government Issue “Happy People”
17. N.O.T.A. (None of the Above) “Propaganda Control”

Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html

Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast

Get past shows here:
http://mrnrpodcast.blogspot.com/

hello

Hello Frank Moore

I am a 3rd year art student at Leeds Metropolitan university (UK). I am currently writing an extended essay on the relationship between art and magic. I am interested in what you do as it blurs the line’s between the both. I have written that art is all about transformation and the altering of perception. I wanted to ask you a few questions if that is ok?

Firstly; in regards to your performances; I was wondering what you think of your audience. Who do you attacked? an art audience or a more spiritual audience. Is there even a difference.

I have written about shamanism perhaps being masked with the word art to fit into what is more acceptable to a contemporary audience. Then again can you see a distinction between art and shamanism?

I would really love to hear you thoughts on these matters.

Many kind thoughts

Kirsty MacDonald
* * * * *
hi, kirsty! What great questions! first I attached the write-ups by both some of my students and myself of my performances I did last year. This will give a conceptual context of what I mean by transformation and altered realities within the performances. and in http://www.eroplay.com/Cave/shaman.html , there’s a lot to give depth to what I will ramble on about in this email. For example, I have up there these definitions:

SHAMANISM is the direct experience of reality.

CHERO is the physical life energy. I created the word “chero” by combining “chi” and “eros”.

MAGIC is the science/art of non-linear change. In cherotic magic, it is the practical focus of the person to reshape reality into more humane forms by using the magical dynamics of relationships.

REVOLUTIONARIES are the mutations of evolution … most “fail” … but even in failure, change and new possibilities are created.

ART is that process of creating change and new possibilities.

these seem to relate to what you are asking. shamanism came from the time before things [life] was fragmentated into ART, POLITICS, PSYCHOLOGY, SPIRITUALTY, SCIENCE, etc. so what I am working with is going back to the original unity.

but you are quite right. What you call what you do effects how people relate to the work. If you label the work as POLITICAL, it puts the work into a very rigid frame. People know how to deal with it, how to dismiss it, how to deball it. But if you label it as ART, the frame is much more flexible, the possibilities are more dangerous, less easy to control or to absorb into the Combine.

I don’t see it as attacking the audience [I don’t really see them as “the audience “]. I am leading a journey outside of boxes of comfort zones [which seems to be the latest buzz phrase for uptight!] if that attacks, shocks, offends, whatever, I’m willing to deal with it. But that is not my intention [except when somebody asks for it!.

You are quite right. there are words which attract people to the work. They keep changing as the culture changes. There was a time when nobody had heard of performance art. But they were in to PERSONAL GROWTH and RELATIONSHIPS. So I presented the work in that context. When PERFORMANCE ART hit, it was performance art. When SHAMANISM was the fad, goddamn if it wasn’t shamanism! I’m flexible! But really the work has stayed rooted to the core. It always has rubbed the frames the wrong way, pushing beyond taboos.

you are also right to ask about how the people who think of themselves as artists and /or spiritual in some formal sense fare in the altered transformation realities within the performances. Typically historically these two groups have a much harder time than the normal Joe /Jane who just came in to play with no idea of what that means. Artists and “spiritual” people tend to have pictures coming in of who they want to be seen as, of what SHOULD happen, etc. And they can’t give up those pictures even temporarily for the performance! But old Joe and Jane can…. Which of course freaks the glamorous types out even more.

have you read my ART OF A SHAMAN at http://www.eroplay.com/Cave/ArtShaman/artsham.html ? In it I go into these issues more deeply.

please tell me what you think… And ask more questions!

In Freedom,
Frank Moore

THE HI-NOBLES // Triple Play in the BAY Jan 22-24

Twenty TEN is the start of a new decade and The Hi-Nobles will be kicking it off in high gear with three Bay Area performances in once weekend, one the entire country can enjoy.

The soul quintet continue to sweat-up shows behind their debut album Shake, which the East Bay Express calls “Dirtbombs-esque Sixties garage soul” and the Stockton Record says “fuses an old-school – but roughed-up – rockabilly energy with twangy, sometimes metallic, hard-rock muscle, a raunchy, bluesy grind and some post-punk attitude and aggression.”

Fri, Jan 22 – 9pm
Pissed Off Pete’s
4528 Mission (at Santa Rosa)
San Francisco, CA 94112
584-5122
www.pissedoffpetes.com/ w/ Knights Of The New Crusade &Shangorillas

Sat, Jan 23 – 9pm
The Stork Club
2330 Telegraph Ave
Oakland, CA
http://www.storkcluboakland.com/
w/ Captain 9’s and The Knickerbocker Trio & Horror-X
21+

Sun, Jan 24th – 8pm
Live on Frank Moore’s LUVeR Radio!
Berkeley, CA
LISTEN LIVE !!

http://www.luver.com/listen.html

More at:
http://www.myspace.com/thehinobles

Download the Hi-Nobles debut album Shake here:
http://www.sendspace.com/file/j17wwo

Download the TRACK “Shake” here and feel free to post as a free download:
http://www.sendspace.com/file/kz514a

Please reach out if you’d like to receive a copy of Shake, to speak to the band or come out to a show.

Thanks,
jeff

* * * * *

AH, YES! THEY WILL PLAY RIGHT HERE IN THE SHAMAN’S DEN!

In Freedom,
Frank Moore

my piece about mr. haight

I was in the orthopedic handicapped class [to use the language they used back then] when they moved us high school aged disabled students from an elementary school campus to Redlands High School campus so that we could take regular classes. This was in 1964. So for two years I had Mr. Haight as my teacher. I have always been that lucky!

I probably had a history class with him. But what is stuck in my mind is his World Cultures class. We sat in a circle so we all could see one another, talk directly to one another on an equal basis … not like in the regular row seating. We did learn about the World Cultures, and therefore diversity. But there was much more going on in the class. Mr. Haight got us to listen to one another, to reveal what we really felt and thought … not in a debating environment where you had to defend yourself … but in an environment of exploring. So the shy kids had the same access as the whiz kids. Mr. Haight created this environment with a warm chuckling humor and high expectations. I probably ripped off a lot of his style. I hope I did!

I wasn’t one of the shy kids. I was an opinionated big mouth. But I communicated by a head pointer and letter board. [I also typed with the pointer.] I only invented the head pointer a few months before I entered the class. But because of the environment, I could fully engage in the discussions.

When Ruth, John and I with a couple of other weird kids started a political club, Mr. Haight was our adviser. And when we wanted to print our own underground paper, he printed it on the school’s mimeograph machine. He talked in my defense when my radical political opinions in my column in the school paper got me in to hot water. Back then the disabled weren’t supposed to be radical or even political, just religious! But Mr. Haight didn’t see me as a disabled student, but as a passionate kid with something to contribute.

Really it was the two years that what was the Fifties transformed into what was the Sixties. And I think Mr. Haight did a lot of that transforming! This is obvious within his classroom. But I remember my mother and I going to his house for a study group about Vietnam. I also remember us and him on the picket line about the Vietnam War in Redlands! This was before it was fashionable anywhere … but in Redlands of all places!

Now fast forward to the early eighties … I ran into him in San Francisco. He was tickled at how my life had turned out, how I was a director, how I had relationships, etc. For awhile he was thinking of “investing” in my first film. But in the end he decided to use his money to take a bike tour around Europe with his wife. This made perfect sense to me. I learned how to make love with life from Mr. Haight!

Frank Moore
1/7/2010

hey, ruth!

I see that Jim Fallows was on THE COLBERT REPORT tonight. I keep getting those bleed throughs where our everyday life bleeds on to the television. Like we were watching a Hollywood movie [JULIE AND JULIA], and one of the main actors started looking very familiar. Turned out he came to our house when his brother’s band played on my show! I even got him to jam with us! And now we are watching another film that he popped up in.

I just wrote a piece about Mr. Haight that one of his sons may read at Sunday’s memorial.

In Freedom,
Frank Moore

cover resend

well, to set these photos up… It was the mid- seventies. I had a group of thirty people, formed during my relationship counselling years. With them I did plays, performances, Parades, free concerts, etc. and we would get dressed in brightly colored outrageous sexy costumes that we made and went en mass to clubs to see our favorite bands… LEILA AND THE SNAKES, THE TUBES, and COUNTRY PORN. [I stole a lot from these bands for THE OUTRAGEOUS BEAUTY REVUE.] We danced en mass, actually becoming a part of the shows. The press started including us in stories about the bands, including photos of us. This was especially true of the photographer Dave Patrick, who went on to photograph THE O. B. R., selling the photos all over the world, both in mainstream Publications and sex mags! We always joked that Dave was the only one who made any money on THE O. B. R.!

so a couple of months ago, i tracked /googled down the lead Singer of COUNTRY PORN, Chinga Chavin. It took me three nights to do it because he is now a hot shit real estate advertising boss in N.Y.C. but I always get my man! anyway, COUNTRY PORN is still one of my favorite bands, and their [his] first album was a masterpiece… Which can be a fucking curse! During my research I found Chinga came out a few years ago with a live album made up with cuts from the shows of the seventies! Hey Chinga, your boy slave still hasn’t sent me a copy! Never fear! I got a copy from Germany’s Bear Family . It’s the equal to the first album! I probably was at most of the shows…. But I don’t hear me singing with you! [Btw, I love your cover of RUNNING BEAR!]

but we here were looking at the liner photos [see below]. First they obviously are Dave’s photos… As I remember it, he was dating one of the twins of your Muffettes at the time. But as we looked closer at the photos, we saw we are in most of them. Even me harvesting a bare tit! It’s good to be a part of history!

In Freedom,
Frank Moore

Re: Artists and the Recession Survey Results (Keith Hennessy) II

Crippled yuppies, indeed!

I wholeheartedly agree with your insightful assesment

Which means, fuck yeah… Now to the studio for more artmaking

keith

* * * * *

a great name for a punk band… CRIPPLED YUPPIES!

Hey, I am doing a monthly performance series in Oakland at the Temescal art center. Come and dance with me!

•••

REALITY PLAYINGS:
experiments in experience/participation performance
CRITIC’S CHOICE: East Bay Express

Frank Moore, world-known shaman performance artist,
will conduct improvised passions of musicians, actors, dancers, and audience members
in a laboratory setting to create altered realities of fusion beyond taboos.
Bring your passions and musical instruments and your senses of adventure and humor.
Other than that,
ADMISSION IS FREE!
(But donations will be accepted.)

Sartrday, January 30, 2010
8pm

TEMESCAL ARTS CENTER
511 48th Street
Oakland, CA 94609-2058
For more information
Call: 510-526-7858
email: fmoore@eroplay.com
http://www.eroplay.com/events.html
http://www.temescalartscenter.org/

In Freedom,
Frank Moore

This week on Maximum Rock N Roll on LUVeR!

Airs January 7, 2010 at 4pm pacific on http://www.luver.com

MAXIMUM ROCK N ROLL
tape #88
62 minutes
hosts: Tim & Ruth
Guest: Sleeping Dogs

Side one
1. Detention “Dead Rock n’ Rollers”

from the East Coast:
2. Flag of Democracy “Goose Step”
3. The Young & Useless “The Young & Useless”
4. Youth in Asia “No More Middle Class”
5. Capitle “Fun”
6. The Outpatients “Fight”

from England:
7. Conflict “No Island of Dreams”
8. One Way System “Break In”
9. Anti-Social “Let’s Have Some Fun”
10. Icons of Filth “Politrix”
11. Disorder “Rampton Song”

from the West Coast:
12. Kent State “Break Out, Break Free”
13. M.A.D. “Everything is Beautiful”
14. The Bags “We Will Bury You”
15. The Poison Idea “Cult Band
16. The Poison Idea “Last One”
17. The Skull Busters “Rat Race”
18. DRI “Sad To Be”

side two
1. Sleeping Dogs
2. Guest: Sleeping Dogs

from Europe:
3. Pandemonium “Bored” (Holland)
4. The Dream Police “Anti-Christ” (Denmark)
5. Keensey Gracio (Italy)
6. The Bleeplickers (Sweden)
7. De Totenhosen (Germany)

from Finland:
8. Ratus
9. The Bastards
10. Restitut

11. The Necros “Conquest for Death”

Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html

Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast

Get past shows here:
http://mrnrpodcast.blogspot.com/

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