(Rafael-alexandre Ramos wrote:)
Oh yeah, I recognize his style 🙂
(Rafael-alexandre Ramos wrote:)
Oh yeah, I recognize his style 🙂
thanks for sending that linda. quite inspiring as usual. i’m going to get some eroplay activities going in pdx.
insanesirely,
drake
* * * * *
glad we keep inspiring you! Keep me up dated on your actions!
In Freedom,
Frank Moore
(Jen wrote:)
Wow!!! Amazing!

Hey Frank,
Are you saying you’re presenting yourself as a candidate for 2012 as well ? 🙂
If so, in good spirit, we’ll do another collage for that 🙂
Rafael
* * * * *
well, I am like zorro! I am there whenever I am needed!
In Freedom,
Frank Moore
http://www.eroplay.com/Cave/reality_playings/reality_playings_sep09/index.html
ANOTHER BEAUTIFUL PERFORMANCE!
October 29, 2009
Today the House unveiled its healthcare reform package. And the news is all bad.
The Kucinich Amendment, which would give the states a clear path for enacting their own single-payer legislation, was stripped from the bill.
The Weiner Amendment, which would substitute the clean, clear language of HR 676 for the behemoth of a introduced, may not be given its vote in the House—in spite of Speaker Nancy Pelosi’s promise.
While single payer hangs in the balance, PDA will continue to fight for single payer at the state level. Meanwhile, we have a small window of opportunity to get the Kucinich Amendment back in the bill and to make sure that Speaker Pelosi follows through on her promise to allow a vote on single-payer—the first ever in the House.
Democratic House leaders can insert what is called a “ Manager’s Amendment” into legislation, even when it is closed to any other amendments. The managers are the majority and minority members who “manage” debate for the bill on each side.
Today, tomorrow, and beyond, we need to call these “managers” and insist that the Kucinich Amendment is restored into the healthcare bill. We also need to urge these leaders to exert pressure on Speaker Pelosi—and exert it on her ourselves—to follow through on her promise to put the Weiner Amendment to a vote.
The “gang” that holds our future in their hands includes:
Speaker Nancy Pelosi: Washington, DC, office (202) 225-4965; San Francisco office (415) 556-4862
Majority Leader Steny Hoyer: Washington, DC, office (202) 225-4131; Greenbelt office (301) 474-0119; Waldorf office (301) 843-1577
Rep. Henry Waxman: Washington, DC, office (202) 225-3976; Los Angeles office (323) 651-1040
Rep. Charles Rangel: Washington, DC, office (202) 225-4365; New York office (212) 663-3900
Rep. George Miller: Washington, DC, office (202) 225-2095; Concord office (925) 602-1880; Richmond office (510) 262-6500; Vallejo office (707) 645-1888
It’s crucial for everyone in PDA to make these calls, to make them more than once, and to tell others to make these calls. Act NOW!
In solidarity,
Tim Carpenter, National Director
Progressive Democrats of America
* * * * *
my presidential platform is looking better and better!
In Freedom,
Frank Moore
Aired Thursday, October 29, 2009 at 4pm pacific on http://www.luver.com
MAXIMUM ROCK N ROLL
tape #83
56 minutes
hosts: Tim, Ruth & Jeff
Guests: The Dicks
Side one
1. Rapid Vapid “Schlag Song”
from East Coast:
2. Scream “Came Without Warning
3. The Exiled “Artificial Friend”
4. Psycho “Kids Are For Tricks”
5. Crude “Vacation”
6. Krant “Bogus”
from U.K.:
7. Butcher “Grow Up Don’t Blow Up”
8. Soldier Doll “No Life Left”
9. Riot Clone “Lucrative Lies”
from So.Cal.:
10. Con 800 “Hello El Salvador”
11. Citizen Fear “We Need Another Vietnam”
12. Citizen Fear “Political Change”
from Finland:
13. Horsgas
Side two
from Finland, cont.:
1. The Widows
2. Penne Yayuna & Nus
3. Ep Normaly
4. Tociat Petriat
5. The Dicks “Dicks Ain’t Police”
6. Guest: The Dicks
7. The Dicks no title
8. Poison Idea
Download the show from the LUVeR show page:
http://www.luver.com/maxrnr.html
Subscribe to the podcast:
http://feeds.feedburner.com/MaximumRockNRollPodcast
Get past shows here:
http://mrnrpodcast.blogspot.com/
The Underground Hit!
Frank Moore, world-known shaman performance artist, will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting to create altered realities of fusion beyond taboos. Bring your passions and musical instruments and your senses of adventure and humor. Other than that,
ADMISSION IS FREE! (But donations will be accepted.)
Friday, November 20
8pm
TEMESCAL ARTS CENTER
511 48th Street
Oakland, CA 94609-2058
For more information
Call: 510-526-7858
email: fmoore@eroplay.com
http://www.eroplay.com/events.html
http://www.temescalartscenter.org/
Upcoming performances in this series:
Friday, December 18
2010 Dates!
Saturday, January 30
Saturday, February 27
Saturday, March 27
Saturday, April 24
Friday, May 21
Saturday, June 26
Saturday, July 31
Saturday, August 28
Saturday, September 25
Friday, October 22
Friday, November 19
Friday, December 17
“…He’s wonderful and hilarious and knows exactly what it’s all about and has earned my undying respect. What he’s doing is impossible, and he knows it. That’s good art….” L.A. Weekly
“Merging improv, erotica, entertainment, religion and ritual, Frank Moore – self-styled shaman, world-renowned disabled performance artist, and 2008 presidential candidate ….” – East Bay Express
Resisting “the easy and superficial descriptions…, Moore’s work challenges the consensus view more strongly in ways less acceptable than…angry tirades and bitter attacks on consumer culture.” Chicago New City
“If performance art has a radical edge, it has to be Frank Moore.” Cleveland Edition
“Transformative…” Moore “is thwarting nature in an astonishing manner, and is fusing art, ritual and religion in ways the Eurocentric world has only dim memories of. Espousing a kind of paganism without bite and aggression, Frank Moore is indeed worth watching.” High Performance Magazine
“Surely wonderful and mind-goosing experience.” L.A. Reader
Downloadable poster here:
http://www.eroplay.com/Reality-Playings-NOV-2009.jpg
http://www.eroplay.com/events.html
In Freedom,
Frank Moore
http://www.eroplay.com
http://www.luver.com
Intimacy with self, others and life (spirit)
It is good to read the notes from the evening – an evening that brought me back, encouraged and reminded me of my inherent playfulness, curiosity and hunger for deep experiences and connection with people. It shifted something deep inside and encouraged me to be myself.
At first when I arrived I didn’t know what to expect – wondered what was going on when I saw a couple people on the ground, Frank and Linda upfront. I was wondering if the night had been canceled as I expected some playful interactions. No one had given me any instructions coming in and I tried to get an idea of what was going on. Of course also several of my own “judgments” were churning in my mind: Is this going to be boring? Is this just a talk? I came to play and participate and sure enough that happened once Frank addressed me and drew me in. He asked me to show what I do? Hmm what should I show: part of my work as an Expressive Arts Therapist/Psychotherapist – my own art as a storyteller/mover – hmmm? Poetry? Painter? What do I do?
The pieces I read spoke to me not only on a personal level and the questions I have asked myself and the blocks I have been perceiving but also because they spoke to some of my initial thoughts when I came in “I was disappointed at the beginning that there were not more people and not more action.” It is so interesting to see my own responses, thoughts, feelings and sensations before, during, and after in response to Frank’s invitations, to the whole evening and then reading other’s perceptions, experiences and description of the evening.
The more I’m sitting with it, I’m feeling the sense of intimacy that was created that night and is continued through the writings….. my inhibitions/judgments stripped away as the evening progressed …..when I was reading and the others playfully touched each other – two things were going on for me “thank god I‘m not part of the touching right now and oh I wish I was part of the touching and hmmm staying focused on the reading while I want to watch…..” sometimes I managed both watching and reading……and was inspired and mostly happy to be in the role I was that evening.
I liked that Frank continued asking questions when I gave answers… I felt his genuine interest that allowed me not to be just abstract and evasive….. I also liked that he really challenged us to make choices….. as when he kept asking the woman who did not want to take her clothes off whether the other kept their clothes on.
I was asking myself – hmmm do I really want to take my clothes off? Am I just doing it to be cool? To show I can do it? Or do I really want to experience what it feels like? I decided I wanted to find out how I would feel so I said yes. It felt natural, I felt a little aroused but mainly just comfortable and natural. A day later I was reflecting – a little shy to tell some friends at first about my experience which is unusual but finally I shared and then more questions came up for me. Some thoughts were already present while all was happening. Here there are several men dressed in the room, behind the cameras, the keyboard etc. –not getting undressed- frank not getting undressed (and yes him sharing he would be naked if he weren’t’ under the weather again seemed authentic) – isn’t that what always happens? Patriarchial society…. Me exhibitionist? Liking to be seen naked?
Yet Franks comment that he doesn’t do things casually socially invited me in further …. In the distance of the experience a little more discomfort while it felt so natural while being in it…… is he just getting off at others nudity? And if so what is my part in choosing to get undressed? Is it about being edgy? Will it always be like that? Is it just about being erotic? Physically naked? Being different? Being rebellious? Are they being comfortable in what they have created? And then isn’t it in the end the same as what happens when we become just familiar and comfortable and loose the curiosity of the moment? If it that way I’m not interested and so far I’m curious to see what happens next time I come or during the “private performance.”
The sense I took with me and also enhanced through these writings – thanks for sending them to me! Is that of intimacy and being with the experience and getting to know or rather experience oneself and being naked with oneself and others and accepting oneself for who we are, i.e. being in the truth of what/ who we are in this very moment of our experience. That’s what I have taken with me – thank you very much! Nicki
* * * * *
this is a wonderful gift to give to any artist… Such a deep report of your inner personal journey into the performance. It keeps the performance going.
I never do anything to be “edgy,” or whatever. What I am after is what you described below beautifully. The performance is continuing!
The performance is a dream. It is hard to describe a dream to someone. It tends to melt in the telling. I wrote this warning sign because people were getting freaked out days after the performances because of this.
WARNING!
ENTER AT YOUR OWN RISK!
THIS PIECE MAY BE THREATENING TO YOUR EVERYDAY REALITY.
THIS PIECE MAY CAUSE QUESTIONING OF THE COMMON MORALITY.
THESE SYMPTOMS MAY APPEAR DAYS AFTER THE PIECE
WITHOUT WARNING…EVEN IF DURING THE PIECE,
YOU MAY FEEL AS IF NOTHING IS HAPPENING…
OR YOU MAY EVEN ENJOY IT. BUT ABOVE SYMPTOMS
MAY STILL APPEAR, LEADING TO RESTLESSNESS,
AND EVEN TO RADICAL CHANGE.
ENTER
it was on the wall behind Linda and I.
I am looking forward to playing with you in the unknown in our private performance!
I CAME TO PLAY
by
FRANK MOORE
01/02/2000
I came to play!
Came to the table
to play
I don’t care what I have
to do
to get a seat
at the table
I play every hand
dealt to me
not really caring about
winning or losing
or about skill…
just playing hands
to stay in the game
Yes, I am a dangerous player,
keep on playing
I came to play!
Came to bed
not to fuck you
but
to melt with you enjoying
mutual surrender
washing pleasure
swept away into oneness
exploring skin from the inside,
beyond time,
beyond self,
into the fun of being
into exploring
the furry cozy sweating love
that can’t be confined to the bed,
but claims the whole life
as its playpen
I came to play
to mix things up
to see what unexpected
will appear,
to jam
with playmates,
to lose ourselves
within one another,
within the playing,
the dancing,
the touching,
the music…
into listening
and melting
I came to play…
playing life the best way I can…
always playing against the house,
against the odds…
not a smart player…
never in competition…
just keep my eye
on the ball,
on each hand,
on following
the every move
of Lady Luck
I came to play…
often in the lonely fields
beyond taboo,
breaking thru THE WALL
to new possibilities…
but I am a team player…
always looking for playmates
to get muddy or sweaty with…
because…
truth be told…
playing with myself
for myself
has never been fun,
` only lonely
I came to play
with colors, noises, realities, bodies, words, characters, limits, dreams, images,
life, death, symbols, magic…
and with you
I came to play
and I’m a dangerous player
because I don’t play
for money,
fame,
power,
or from anger,
bitterness,
hatred,
emptiness,
or to win…
so I can’t lose
can’t be beaten!
I came to play
to play
just for fun
….just to change everything!
I came to play…
after all…
I want to play with you…
we are mammals,
after all!
In Freedom,
Frank Moore
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