Month: August 2009 (Page 7 of 8)

Fw: sponsors of non-locally produced shows on BTV

Hi David,

Arielle suggested that I talk further with you about this issue (see below) … I had written to Arielle requesting a list of the local resident sponsors of the non-locally produced shows that play on BTV. She said that she could not share that information with anyone except a BCM staff member. However, for years, we have listened to the disclaimer preceding our shows that air after 10pm, which said, “The content of the shows is the responsibility of the Berkeley sponsor … sponsor information is available upon request.” This is what we are going on in requesting this information. We still would like to know who the local Berkeley sponsors are for the non-locally produced shows which air on BTV. Thanks!

— Corey

* * * * *

Also, David, BTV has given out our info to people in the past who requested it.

— Corey

* * * * *

Please specify a program and I will find out for you.

Thanks,
David

* * * * *

got them nervous!

In Freedom,
Frank Moore

RE: June 2009 Reality Playings page is up!

(Ava Bird wrote:)

thanks linda, wow, these are amazing! the photos on their own are an art piece, awesome!

* * * * *

ah, yes, Ava! Performances are layers of effective art works melted together, bleeding out from the limited frame of space and time. Each layer has its special effects which we are unable to understand. This is especially true for private performance.

In Freedom,
Frank Moore

statements of INTENT

Please Sign, put your statement of INTENT, cc back to me & Forward.

UNIVERSAL DECLARATION OF ART WAR

We have now sunk to a depth at which restatement of the obvious

is the first duty of intelligent men.

—George Orwell

THE COYOTEL CORE hereby Declares ART WAR on Sanctioned Culture, Sanctioned Rebellion, Sanctioned Religion, Sanctioned Belief, Consensus Reality, Consensus Denial.

OUR ENEMIES are Boredom, Arbiters of Taste, Promoters of Pablum, Advertisers of Mediocrity, Soulless Religions, Axis of Weasels, Flakes, Hangers-On, Time Wasters.

WE HEREBY DECLARE Our Enemies Dismissed and Ignored.

IN DECLARING ART WAR the COYOTEL CORE aims to Liberate Awareness, Anticipate Change, Unflinchingly Promote our Ideals, Liberty, Creativity, Humor.

BY SIGNING BELOW we pledge our hearts, spirits, and time to the formation of Creative Cultures, Authenticity of Being, Genuine Individuality, Passionate Interactions with Life.

HOW WILL YOU contribute to the Goals, Drive and Ambitions of ART WAR?

publisher@coyotelpress.com

Coyotel Literary Aesthetics &

Coyotel TRUE ART Visual Aesthetics

http://www.coyotelpress.com/Aesthetics.html

Signed,

Steven Johnson Leyba

www.stevenleyba.com

“NEVER FEAR TO ASK WHAT IS ART? AND WHAT IS TRUE ART”

Author of “The Last American Painter”

www.coyotelpress.com

“I WILL CONTINUE TO DO TASTY ART… NOT TASTEFUL ART! “

Frank Moore

http://www.eroplay.com

http://www.luver.com

Will Taylor

www.textengine.org

www.pollenroad.org

Author of “The Pollen Road”

www.coyotelpress.com

“Mark it well”

Dave Archer

www.davearcher.com

Author of “Survival Art; Painting and Sculpting for Food, Clothing and Shelter”

www.coyotelpress.com

Gigi Deluxe

www.gigideluxe.com

DO NOT TELL ME “I prefer your work when it isn’t too overtly sexual/violent”

LIKE IT’S A COMPLIMENT. IT’S NOT. IT’S AN INSULT. I AM OVERTLY SEXUAL AND I AM VIOLENT. I DON’T WATER DOWN MY ART OR MYSELF FOR NO ONE BUT ME

Jerry Barksdale

www.empyreanasunder.com and www.myspace.com/eroxthis

“We as artists have become an uninspiring collective. Stagnate in our ideals and presentation we continually attempt to pass off rehashed garbage as an act of creation. Creativity is dead and the artist is to blame. We’ve allowed every jackass with an instrument, a paintbrush, a camera, or a canvas to call themselves an artist. Our title has been usurped by mediocrity. We’ve catered to an undeserving, disinterested mass. We’ve became inclusive rather then exclusive. The average spectator feels just as much an artist as the master painter. Our works have been reduced to wholesale. Something readily discarded. To call myself an artist has become embarrassing…this title is an insult.

We have built ourselves a pedestal, as artists are a narcissistic people. We errantly parade ourselves as architects of emotion. Our way of life has became a sought after illusion. In an attempt to glorify our position as artist we’ve mangled the very term. Groveling for acceptance from the masses we cling to the latest ideas and trends losing sight of our one true goal….to reach deep within our humanity and pull out a piece of ourselves that others are unwilling or incapable of seeing within themselves. The artist acts neither as catalyst nor as architect. We are simply a candle in the darkness, exposing those small pieces of human nature rather left buried.

To those of us truly inspired: are we even aware of our job as an artist? Is it to promote our brand, to hand out fliers and peddle our merchandise like some fucking street vendor? Is it the accumulation of fan and status that inspires us to create? This is what we have been reduced to; this is the New Way of art.

In a culture of complacency and inaction we are encouraged to accept this New Way. We have become puppets of corporation, tools of their mass marketing schemes. We should rid these ills from our conscience and once again reach deep within and reclaim our title as “artist”. This is the Art War to me. An attempt to reclaim art as art rather then a piece of readily discardable merchandise.

The artist should be confrontational, aggressive and explicit. Our art should expose our deepest secrets, destroy social convention and should encourage others to question themselves. It should be obscure and occult; it should be hidden from the passerby. Art should be embarrassing; it should mirror our desires, mirror our disgusts, mirror our fears, and mirror our insecurities. If our art does not these things then it is nothing more than social mimicry and we, the artist, have failed.”

Marissa Raine Miller

marissa_miller@hotmail.com

“To be human is to be an artist and we procrastinate because we’re afraid of achieving our full potential because to do so is very hard and requires much failure.”

Decoy

coy@decoygal.com

“Subvert the converted”

Mike Hammarberg

Belane013@gmail.com

artmilitia.blogspot.com

“Art Militia hereby declare Art War on everything!

In a time where we as artists should lean back and just take all the shit they’re shoveling we rise. We rise above the religious dogmas, poltical harlotry and the view of what art should be, and we aim to destroy it all.

We must never settle for being inside the frames, always push outwards and rip the frames apart. If people ask for nature-art we give them industrial. If people ask for fucked up expressionism we will give them minimalistic colorfields. If people ask for a watercolor-painting we paint with coal and blood. We must always paint what we are and feel, never ever what anyone else wants. We will take back the word ARTIST from all those who claim it these days. We will bleed our innermost feelings out on canvas, wood, glass, walls or whatever is available. We are also to blame for letting us be bought, letting us give up control of our work.

The same second we stop giving our most in our art, they have won.

People may think this is a joke, but it is WAR. A war on boredom, on people telling us what is and isn’t “tasteful” or beautiful, or the view on what art is. We as artist must reclaim the word and make it meaningful again.

Art is what we breathe, and it’s the blood that keeps pumping through our veins. It’s just not “something you do in your sparetime”, it never was just a hobby. For us Art Warriors it is and always will be so much more.

When you breathe, bleed, cry, laugh, work for something it’s worth fighting for, living for and even dying for. This ART WAR is now, today, tomorrow and always.”

Elija Van den berg

vcornelia@hotmail.com

“…Amongst the younger people this might be the case, anyway, you have to encourage yourself, YOU have to change what is happening…

not so much with some of the people from my own generation, i just look at Max Lerou, the poetry slam organiser (56) Q 65 guys (both 65), armand, dutch protest singer (63) Nicko Christiansen (59) his base player Jeroen, who is around the same age and who has dropped out of forced registration and ID, terminated his TV subscription etc. Marcellus a painter from Rotterdam who has done same, Ben van Es galley owner who shows renegades, my friend Gary here in England who paints peaceful pictures with gunpowder (VERY creative!!! needs a special license for the gunpowder.) What a statement!!! None of them particularly blessed in the looks department, none of them interested in money and/or fame. Art is there to make people think, to give them pleasure, as a meeting place for likeminded people, well you know me, I am a peace freak hippy, WARS NEVER solve anything, they just kill lots of innocent people, mostly women and children – they do not ever matter anyway, only rich men (Rich mans war, John Trudell) – who are usually brown. Or black. Or Muslims, or all three. I try not to mind too much what happens to me and more what happens to this society. I try and stay creative. And positive. Not easy when you are homeless half the time and ill.”

Mark Powell

www.myspace.com/markpowellart

I am truly honored to have had some influence on the Coyotel aesthetics. It is truly important work you are doing, I am inspired. I must make special note of the Declaration of War on the eye of the beholder. Something I have argued recently. This neither here nor there attitude of all art is in the eye of the beholder, it is all ultimately subjective and that art cannot not be measured, NONSENSE!! I say.

Of course standards exist and one strives to meet those standards.

Another problem is the question of work, which many of the so called slacker artists and video artists and lay-abouts who probably do not come from working class families, who, thanks to their privileged circumstances are able to worm their way into galleries and publications and not do any real work, for them art need not require any real effort.

I have seen for example an artist video themselves lying in a bath tub and submit it as art. This actually got onto a television arts program. Well for a person who has had to work in factories, warehouses, unloading shipping containers and sifting through shit (literally) at a recycling plant, I understand the importance of work, art requires effort. It also goes to those who believe an artist is someone who can just point at something and it becomes art. This seems to exist elsewhere in our culture too, celebrities these days do not have to actually DO anything, they just are. There is a class of people who have enabled the least among us to rise to the top. We should look to Levi’s illustration of Baphomet where the hands represent the sacredness of work and the flame of the imagination burns brightly above.

Allen

www.myspace.com/Samael244

And as for ART WAR, I will contribute by continuing to make art that is true to myself.

and my reply

Hi, Mark. Thanks for writing back.

I am confused by your thinking that “the Brown Act prohibits Boards of Directors from conducting discussions as a group outside of their formal meeting structure with meetings noticed with an agenda.” The Brown Act is a part of the Sunshine movement. I am encouraged that you see the Board of Directors of Berkeley Community Media as a “legislative body” which is answerable to the residents of the Berkeley community. But I don’t think the Brown Act applies to this situation.

I invited you, and any of the board members and staff who are willing to be a part of a discussion about public access with me and other public access activists to be on my show. I was not inviting the Board to hold its meeting in any form on my show. I would be surprised [but happy] if anything close to the majority of the board members accepted my invitation. I hope the discussion will be in-depth, covering most of the issues. The discussion will be public, going out on the internet live. Then we will archive the discussion unedited and uncensored. Of course I will play the whole discussion unedited and uncensored on B-TV.

Clearly the below section of The Brown Act extremely powerfully states the act does not block such discussions

(c) Nothing in this section shall impose the requirements of this chapter upon any of the following:
(1) Individual contacts or conversations between a member of a legislative body and any other person.
(2) The attendance of a majority of the members of a legislative body at a conference or similar gathering open to the public that involves a discussion of issues of general interest to the public or to public agencies of the type represented by the legislative body, provided that a majority of the members do not discuss among themselves, other than as part of the scheduled program, business of a specified nature that is within the subject matter jurisdiction of the local agency. Nothing in this paragraph is intended to allow members of the public free admission to a conference or similar gathering at which the organizers have required other participants or registrants to pay fees or charges as a condition of attendance.
(3) The attendance of a majority of the members of a legislative body at an open and publicized meeting organized to address a topic of local community concern by a person or organization other than the local agency, provided that a majority of the members do not discuss among themselves, other than as part of the scheduled program, business of a specific nature that is within the subject matter jurisdiction of the legislative body of the local agency.
(4) The attendance of a majority of the members of a legislative body at an open and noticed meeting of another body of the local agency, provided that a majority of the members do not discuss among themselves, other than as part of the scheduled meeting, business of a specific nature that is within the subject matter jurisdiction of the legislative body of the local agency.
(5) The attendance of a majority of the members of a legislative body at a purely social or ceremonial occasion, provided that a majority of the members do not discuss among themselves business of a specific nature that is within the subject matter jurisdiction of the legislative body of the local agency.

So I hope you and the other board members and staff will reconsider and join the discussion that I am in the process of setting up as I write this. Or I would be happy to come to your next board meeting WITH MY VIDEO CAMERA to have this discussion.

Also I am puzzled by your saying: “Your letter did not address the concerns that you referred to so I am unable to give you any answers at this time, but I promise that the Board will look at any specific questions that you bring to our attention in the future.” I thought I outlined my concerns in detail… Maybe in too much detail! So I will include another copy of my original letter with this.

Looking forward to talking with you, Mark!

In Freedom,
Frank Moore

and it continues!

the Board of Directors of Berkeley Community Media finally replied to my letter after about a month of trying to figure out an answer! Here it is:

July 13, 2009

Dear Mr. Moore,

Thank you for taking the time to communicate with the Berkeley Community Media (BCM) Board of Directors in your June letter. We really value the insight and ideas of the members/producers that we serve.

In regard to your invitation for the Board to join you on your show to field questions and or concerns that you have regarding BCM policies and procedures, the Brown Act prohibits Boards of Directors from conducting discussions as a group outside of their formal meeting structure with meetings noticed with an agenda. The Board has a process for addressing policy at BCM, and that business takes place within the structure of our regularly scheduled board meetings, and so we must respectfully decline the invitation.

Your letter did not address the concerns that you referred to so I am unable to give you any answers at this time, but I promise that the Board will look at any specific questions that you bring to our attention in the future.

Sincerely,

Mark Coplan, Chair – BCM Board of Directors

AND IN CASE YOU FORGOT MY ORIGINAL LETTER, IT IS BELOW [I WILL SEND YOU MY REPLY IN A MINUTE]:

Hi! I want to invite David Jolliffe, Arielle Elizabeth, and the board members of Berkeley Community Media to be on a show I am doing. In general the show will be about the philosophy of public access and the current move in California to shut the public access down. But we will also explore the new rules at B-tv. When I know who is interested in being on the show, I will set up a time for us to get together to shoot it.

A main reason why I am doing the show is the new rules confuse and disturb me. Maybe I should outline my concerns about the new rules and my understanding of public access. I know that Berkeley Community Media has other duties and responsibilities associated with running /maintaining Channel 33, the governmental /educational channel. I am only talking about our public access channel, Channel 28.

As I understand it, a public access channel is for the residents of the city to have an uncensored and free channel that will air tapes that they make themselves or like to sponsor so that others of their fellow citizens can be exposed to the content. Such a channel is the residents’ artistic, cultural, and political outlet, their soap box. As I understand it, Berkeley Community Media is the “third party“ which the city of Berkeley has administer our community public access channel, providing equal and easy access for the residents of Berkeley. So the “community“ of the community public access channel is the residents of the city of Berkeley, not just the members of Berkeley Community Media. So it is confusing when the members of BCM get special treatment, such as the new policy of

BCM will prioritize the scheduling of series in the following order:
1.) Series that are locally produced using BCM facilities and equipment.
2.) Series that are locally produced that do not use BCM facilities and equipment.
3.) Series that are made outside of the San Francisco Bay Area. These will be considered “Import” Series.

This seems to violate the equal access for the residents of Berkeley as proclaimed in BCM’s mission statement on the BCM web site. It makes sense to put the local programs made by Berkeley residents ahead of “import“ series, especially if there is a surge of programs filling up the schedule. Is there such a surge at the present time? But it does not make sense to penalize residents who don’t use BCM’s studio or equipment to create their own programs. That is unequal access.

When we asked about this, Arielle responded: “As Programming Coordinator, I personally feel that it is important that all producers should be treated equally. The new policies were written specifically to give all of us (including myself) guidelines on how programming will be scheduled. These policies are designed to promote fairness and equity among the entire membership. Nobody will get special treatment from now on.”

I assumed she meant all producers who belong to BCM will be treated equally and fairly. But the BCM members who use BCM’s studio and equipment will get special treatment. Again the community in the community public access channel is the residents of Berkeley, not the BCM membership. But even the BCM members who don’t use BCM’s studio and equipment will not be treated equally. Why penalize those of us who don’t use BCM’s studio or equipment? Granted, the running and maintaining of the studio and equipment is a big service that BCM provides. And requiring those who will use the studio and equipment to be members, to get trained, to volunteer to be on others’ crews, etc. makes sense. But in the world of camcorders, home computers, YOUTUBE, etc., it doesn’t make sense to penalize residents who create their shows outside of BCM’s studio on their own equipment. It doesn’t make sense to put blocks in the way of the residents to their channel. By encouraging people to create shows with their own equipment and computers it would open BCM’s studio and equipment to those who need the facilities to create their shows. It seems, if we do the math, it is not possible to produce enough shows to fill the 24/7 time slots in a studio that is only open a portion of the day. But encouraging residents who can create their own programs outside BCM’s studio would open b-tv up to the whole community. The whole community would be b-tv’s studio! This would make what happened in Los Angeles much harder to happen in Berkeley. In Los Angeles they shut down the public access by shutting down their studios.

I’m one of those residents who have created programs for b-tv for many years outside of BCM’s studio system, creating a platform for a wide range of community voices. I have donated to BCM over the years because I value BCM… I value public access. But I did not join BCM because I don’t use BCM’s facilities… And I am not a joiner. But when the new rules were leaked out and it was clear it was definitely a disadvantage in terms of keeping my time slots if I was not a BCM member, I became a member. Then it turned out it doesn’t matter because I don’t use BCM’s facilities. Obviously this is a case of different basic philosophies of community public access. I am eager to look at and explore the differences.
But it gets worse! According to the new policy outline:

“- All series producers will be required to have an active membership on file at Berkeley Community Media.”

This excludes at least ninety eight percent of the Berkeley residents. This hijacks our community channel. It turns our community channel into a private club… A members –only club. This is the exact opposite of what public access should be! The function of the Berkeley Community Media is to provide equal, free, and easy access for the residents of Berkeley to OUR community television channel. It is not its role to put blocks and fences between the residents and full access to our community channel. This is extremely disturbing and legally questionable. It creates a “have to belong to be played” reality… If not a pay-to-play proposition. If I hadn’t become a member, I would have lost my series… And more importantly I would have lost my right to have or sponsor a series on b-tv. This is not right, fair, or equal. This is not public access. And it raises all kinds of legal questions.

Moreover, as I understand it, legally the content of the shows that play on the public access channel is the sole responsibility of the resident who created/submitted/sponsored the shows. The courts have consistently ruled that the city and the body, be it the cable company or an organization such as BCM, that runs the public access channel may not restrict the contents of public access shows. This is a basic principle of public access. The city can decide not to have a public access channel. But if it decides to have one, it can’t restrict the content. The totality of this legal fire wall surprised even me! During my research for this, I went to the FCC’s official web site and found this:

“Federal law permitted a cable operator to prohibit the use of a PEG channel for programming which contained obscene material, sexually explicit conduct, indecency, nudity, or material soliciting or promoting unlawful conduct. However, The U.S. Supreme Court determined that this law was unconstitutional. Therefore, cable operators may not control the content of programming on public access channels with the exception that the cable operator may refuse to transmit a public access program, or a portion of the program, which the cable operator reasonably believes contains obscenity.”
from http://www.fcc.gov/mb/facts/pegfacts.html

So, with the exception of obscene material as defined by law, there is not room for restriction of content of public access shows. “Indecent“ shows must be aired between 10P.M. and 6A.M. Personally I always have felt more comfortable in the freedom of late night slots, even when most of the time, the content of the shows does not require late night slots. What is troublesome about the new rules is they appear to invade the content control of the resident producer /sponsor. Such invasion would be illegal, as I understand it. These invasions are not sexy. They are not focused on nudity, eroticism, or profanity. But they do appear to be designed to shape and control the content of the shows. For example, the new structure creates a two-tier system of kinds of series available.

Types of Series
1. Three Airs Per Week Series – A three airs per week series is available to producers who are consistently creating new content. This type of series airs no more than three times a week. Producers must submit at least six (6) new episodes of their program each season to be considered a three airs per week series. Producers must submit at least two (2) new episodes of their program at the beginning of each season in order to qualify as a weekly series.
2. One Air Per Week Series – A one air per week series is available to producers who sporadically create new content. This type of series airs no more than once a week. Producers must submit at least one (1) new episode of their program each season to be considered a one air per week series. Producers must submit at least three (3) old episodes of their program that they wish to replay throughout the season in order to qualify as a one air per week series.

As if this is not a clear enough attempt to control and shape the content of the shows, the new rules go on to define what new is new enough!

— New episodes for three airs per week series must be submitted every 45 days. A new episode is defined as a program that, in whole or in substantial part (75%), has not previously aired on Channel 28.

— A series will be cancelled if new episodes are not submitted in a timely manner.

— False identification of an episode as “new” will result in immediate cancellation of a series.

All of which is a very clear breach of the legal fire wall around the sole responsibility of the resident producer /sponsor for the content of her shows. Moreover the threat of immediate cancellation sets up a very disturbing power structure. The reason for this new, and probably illegal, rule is not at all clear. And this dreadful rule is being applied to residents who consistently are in fact creating programs for b-tv. So let us explore the reasons for, and the legality, of this rule.

There is a lot more we can explore on the show. So I will end. So when would be a good time for you guys to come over to tape the show? I am also sending this letter to the local newspapers because I believe that this warrants a deep community discussion. After all, b-tv is OUR community channel… Or at least it is supposed to be!

In Freedom,
Frank Moore
6/5/2009

Emailed 7/23/09 to:
David Jolliffe (Executive Director) & Arielle Elizabeth (Programming Coordinator)

Snailed to Current BCM Board Members 7/24/09:
Edmound Broussard
Oriana Saportas
Mark Coplan (Board Chair)
Moby Theobald
Crescent Diamond (Vice Chair)
Adnan Touma
Mitch Lerman (Treasurer)
Ed Young (Secretary)

In Freedom,
Frank Moore

have the rules changed?

hi, Arielle. We were watching b-tv and noticed that quite a few shows, which obviously are not local, are selling /advertising products. I thought that was a no- no. Has that rule changed? If so, when and why?

Also other shows list “sponsoring” businesses. I didn’t know we could have businesses sponsor our shows. What is the rule about that?

In Freedom,
Frank Moore

* * * * *

Thank you for your note. I will forward this immediately.

Sincerely,

Arielle Elizabeth
Programming Coordinator
Berkeley Community Media
510-848-2288 ext. 13

* * * * *

looking forward to Getting the answer!

In Freedom,
Frank Moore

Fw: need info on submitting … (Rafael-alexandre Ramos)

(Rafael-alexandre Ramos re: Scientology PSAs on Berkeley Community Media:)

Very dangerous sect…

Federal goverment should ban and eradicate…

If ever the system collapses, the rats ( organized crime and sects of all kinds ) will look to overthrown the king

* * * * *

I don’t know about that! I am a big believer in free speech, etc even for “dangerous sects, ” and get extremely nervous at talk about the government [any government] Banning anything!

In Freedom,
Frank Moore

This week on Maximum Rock N Roll! (7/23)

http://www.luver.com/maxrnr.html

Thursday, July 23, 2009 4pm pacific

MAXIMUM ROCK N ROLL
tape #62
55 minutes
hosts: Tim, Jumpin Jeff, Ron & Chris from Juvenile Justice & a woman’s voice
https://archive.org/details/mrnr62

1. Bad Posture
2. Youth Brigade “Fight to Unite”
3. Aggression “Rat Race”
4. Red Kross “Rich Raff”
5. The Disrupters “Shelters for the Rich”
6. Mayhem “Patriots”
7. The Ejected “Have You Got 10p”
8. One Way System “Give Us a Future”
9. Scream “Government Primer”
10. Guest: Dirk Dirksen
11. Agent 86
12. The Late Teens “Policies”
13. SSD Control “Do You Ever Care”
14. Negative FX “Veterans of Foreign Wars”
15. Void “Ignorant People”
16. Really Red
17. Culturecide
18. Jody Foster’s Army “Preppie”
19. Blight “Armageddon”

chapter ten

Why don’t you come out and love, staying playing, trying things, falling in the middle of the universe? Hey, have I bored you yet into all kinds of ridiculous poems too hot for being quick flush with the next opening of emotions? I bored you into tanpanic trance, gazing with mirrors reflecting my cock into a private satisfaction of drawing you into juicy molten colors of the bodies melting into one another, just doing, just cuddling, just living! It is easier to get people to kill you, to being willing to die to-morrow for some goofy bugs than it is to convince them to live like horses, young kids. Why is that? But I always try! Looking behind this iceberg, let us go towards women who pleased without separation from humanity and love staying playing with my cock. The Powers Prophet gains reality and control, rising out of isolation, separation, fear of the other, doubts about personal worth, and manufactured undergrowth of desire, despair of drawing blood. This Powers prophet was toxic cloud that the brainwashing and manufactured flaw of souls puking over the pond of taste of rotten fast food poisoning and control of life in the ravioli cans. Point of responsibility is any body, organic or inorganic. Waves of reality pass through the points of responsibility within each body, being influential affected by each body, being swept along with several sailors surrounded by profound attention, attraction and universal admiration between rubbing against all kinds of human beings. Is playing you into juicy experience of life turning you unbutton all morality and love, bringing the brainwashing to an end. I could ask you to feed me, give me drink, help me in the bathroom comfortably. But if I ask you to make out with my cock, to share physical pleasure and love with me, all discordant falsetto cries of alarm would create uncomfortable suspicions seriously ill scene of destruction, terrible apprehensions and words that escaped beneath love. Why is that! True, we are hitting bottom of this inner flesh, outer door of communication between us. But! But don’t worry. There is a funky basement under the bottom where we will wing it! So stay! Staying in here now without separation opens up virtue of every gigantic sea-serpent and universal admiration between rubbing aroused after forever and perhaps the space of regret can disappear and perhaps after all these foolish old battles are extremely booked up, we could be called unicorn. May happen about getting more handsome proposal and such eye-beams as always amazing how easy life is! Just show up and stay and be conscious and willing, knowing how easy it would be to see desire of this inner flesh. Wear only this inner flesh. I go in to the most dangerous neighborhoods alone after midnight among various gangland surfs and willing to follow fate destined with mirrors of self-confidence and perhaps the unusually metaphysical inspiration. I go into the ultimate midst of a gang of destruction and start slap-bang asses of big Hyena-swines giggling joyfully and they start moving their claws gnawing away from my dreams. These men who are dear boys can’t believe my own heart laughing. I look helpless, vulnerable as much astonished! But they don’t smell fear of contact in me. They smell from my dreams intensified self-confidence and willing to live like horses, young kids and whomsoever approached me to-night will play with me! I don’t care about being harmed, being influential, being swept along into their formidable cyclones. Actually I don’t make sense to them. So they swayed from side to side. Don’t actually know what I can do! Nothing regular now apply at these proceedings on whims!

If you are game, you unbutton all kinds of ridiculous poems for me with wide open eyes from my mind. Doubtless they went running out fast, cutting like these bold companion. Stretched out floating, a fart waft from between your legs wide open taking refuge in my nostrils quivering. Disgust, excuse! Naw! The ultimate reality! Sexy hot girls fart. You are sexy, hot! And panting you sit there legs wide open and smelling your own fart waft up and enjoy it. That is something rather impossible in Hollywood fund-raisers and widespread Media attention and stimulate the apathy of the temptation and certainly my nostrils! Quivering flesh, I surrender to you. I have searched for a farting sexy hot girls. And finally here you are!

In Freedom,
Frank Moore

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